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Sylvia H. Williams (née Sylvia Louise Hill; February 10, 1936 – February 28, 1996), was an American , , art historian, and scholar of . She helped develop the study and appreciation of African art as a significant aesthetic and intellectual pursuit in the United States.


Life and work
Williams was born and grew up in Lincoln, Pennsylvania. Her father was a professor of English and dean at Lincoln University. She married Charlton Williams, and the couple never had children. Williams held art history degrees from in 1957 and New York University's Institute of Fine Arts in 1975.  Williams served as a curator in the Department of African, Oceanic and New World Cultures at the in 1973.

In February 1983, Williams joined the National Museum of African Art at the Smithsonian Institution and in 1987 oversaw the move of the museum to its current location at the in Washington, D.C. During her time at this museum, she was dedicated to elevating the museum's reputation, whereby she helped the museum acquire more than 845 works of both traditional and modern African art for exhibition, including sculpture, photography, and textiles. She emphasized the importance of in the appreciation and display of African art.

In 1983, Williams received a for History from the National Coalition of 100 Black Women. In 1989, she was awarded an honorary Doctor of Humane Letters by , and the following year (1990), she received an honorary Doctor of Fine Arts by .

She served as president of the Association of Art Museum Directors (AAMD) from 1994 to 1995.

She died in Washington, D.C., at age 60 from complications with a . In October 1997, the National Museum of African Art of the Smithsonian Institution launched the exhibition The Poetics of the Line: Seven Artists of the , which was also the inaugural exhibition of the Sylvia H. Williams Gallery named in her honor.


Exhibitions
  • 1973: African Art of the Dogon
  • 1976: Black South Africa, Contemporary Graphics
  • 1981: African Furniture and Household Objects
  • 1981: Art of the Archaic Indonesians
  • 1989: Icons, Ideals and Power in the Art of Africa
  • 1991: The Art of the Personal Object (aesthetic value of utilitarian objects in African cultures)
  • 1993: Astonishment and Power: the Eyes of Understanding Kongo Minkisi


Publications
  • 1974: "Contemporary Graphics"; an essay for African Art as Philosophy
  • 1976: Black South Africa


See also
  • Women in the art history field

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